Longshot and Dazzler

In last week's X-Factor #35, oft-forgotten X-Man Longshot debuted in the title, apparently set to join the cast. As he had not been seen in several months (since the end of Exiles), a bit of exposition came forth in a conversation between him and Strong Guy. It was there that Longshot explained why he was no longer in a relationship with Dazzler (as they had last been seen) and commented that there was really nothing between the two of them - that the whole thing seemed forced. It was (in my eyes) a well-deserved comment on the part of Peter David on the longtime relationship between the two characters. I found it to be quite amusing.

The explanation is not exactly simple, and a history lesson of Longshot and Dazzler is forthcoming to help get you through it. You're welcome.

Longshot debuted in a cult-classic self-titled mini-series, and was quickly shoehorned into the X-Men in an annual that also featured the debut of the X-Babies (and that's all I'm saying about that one). He briefly vanished during the Mutant Massacre, only to show back up in its aftermath, in which he quickly became a member of the new team. An amusing trait of the character was his attractiveness to the opposite sex (mullet notwithstanding), and his naivity to the matter due to his nature. However, that was quickly abandoned in a suddenly developed relationship between him and his teammate Dazzler.

The Longshot relationship always puzzled me during the "Australian Era" of 80s X-Men. The dialogue would have you believe that there was a love-triangle going between him, Dazzler and Rogue, but this really never was touched upon in the stories themselves. Dazzler and Longshot were just sort of a couple until he left the team right after Inferno. All right, to be fair, they did get a bit physical at one point, but they were possessed by demons at the time.

It was sort of out-of-sight, out-of-mind once Longshot left the team, as Dazzler began hitting on Havok (chicks dig moody depressants, after all) and then got her mind wiped by a journey through the Siege Perilous. Wherever writer Chris Claremont was planning on taking either story (Longshot's departure and Dazzler's amnesia) didn't come to anything by the time he left the book. It was plotter Jim Lee and scripter John Byrne who actually finished the Longshot story, pulling in Dazzler and restoring her memories in the process. The battle left Longshot in charge of the Mojoverse, Dazzler pregnant, and the readers feeling that the relationship was much more than earlier stories had ever implied it to be. So they lived happily ever after.

Or not so much.

Turns out that a universe-ruling Longshot and an expecting Dazzler weren't too interesting. In fact, the few writers that did use either character often didn't use them together, with an obligatory reference to how the other one was doing just for fun. Dazzler was given an implied miscarriage by Fabian Nicieza just after the Age of Apocalypse and the two were sort-of broken up when Dazzler showed up to help the X-Men apparently unaware of where Longshot might be. She settled into random guest appearances here and there and he ended up in Limbo (the unused kind, not the demon kind).

Eventually, Longshot was brought into the Exiles, though he had no memories of his past life. This was a welcome attempt to get him back to the basics of his character that had become lost over the years of sort-of romances and universal uprisings. He stayed with the team until the title ended with a Chris Claremont written crossover between the Exiles and New Excalibur (of which Dazzler was a member) and almost all of the characters were shuffled so an all-Claremont-created team could relaunch Exiles. For Longshot, this meant heading back to Earth with Dazzler in an effort to rekindle their romance. So they lived happily ever after.

Or not so much.

Turns out the Longshot/Dazzler coupling is still not interesting, and really hasn't ever been. The effort to put them back together after all of their convoluted non-use felt like a forced issue. They were together in X-Men, they should be together now. That's exactly how it was presented in Longshot's X-Factor appearance when he flat out said it felt more and more awkward trying to make it work when it really didn't. So finally, Dazzler and Longshot have both returned as usable characters in the X-World. Let's just hope they stay away from each other this time.

From the Box: The X-Cutioner's Song

After great effort (and a lot of help from the Marvel Chronology Project) I put together a reading order of my archive of X-Men back issues and got to reading, starting at the 1991 launch of the second X-Men book (now called X-Men: Legacy). Not too far in, I came upon the 12-part, 4-title crossover, the X-Cutioner's Song. I've had the trade paperback of this for a while, but it always seemed to convoluted to really get into - but as I didn't want to read only half of the story, I dusted it off and got to it.


It was a laborious read, I'll have you know. To get into, you need to have some knowledge about past X-Force/New Mutants history as well as X-Factor knowledge. The basics are thus:

• Stryfe, who leads a bunch of generic villains known as the Mutant Liberation Front, looks exactly like X-Force leader Cable when not wearing his helmet.
• Apocalypse has two (rather redundant) groups of followers: the Four Horsemen and the Dark Riders. Neither should be in action without Apocalypse, who has been MIA since a battle with the original X-Factor.
• Mr. Sinister has a thing for Scott Summers and his juicy DNA (ewwww).
• The New Mutants left the X-Mansion to become X-Force, and none of the X-Teams particularly enjoy that.
• No one has much love for Cable.
• Cyclops was forced to send his son into the future after the baby was infected (by Apocalypse) with the techno-organic virus.

Once you have that down, we can get underway. Apparently, Cable shoots Professor X at a Lila Cheney concert, the Dark Riders (not working for Mr. Sinister instead of Apocalypse) kidnap Cyclops and Jean Grey, who are then traded to Stryfe for Summers DNA, which is a ruse - the container actually unleashes the Legacy Virus. The X-Men and X-Factor go after X-Force to get Cable, jail them, go around fighting for a while, then end up on the moon when Stryfe and Cable duke it out until Cyclops detonates a time portal. Ending comes, la la la. Oh yeah, Stryfe is apparently Cyclops' son who happens to be a little bitter about what happened to him. You can understand that, right?

The story, while about four parts too long, wasn't anything terrible. It got all the teams together, tied up a couple loose plot threads (for a while) and put a lot of focus on Wolverine, Cable and Bishop - the overly popular characters in the huge muscles, huge guns era of the early 90s. Looking back, with over 15 years having passed between then and now, the story doesn't really hold up too well.

• Down the line, someone decided the son should be the good guy, so it was revealed that Cable was actually Cyclops' son, not Stryfe.
• The crossover was a prominent reason that Peter David left X-Factor. The book would continue on with sub-par storylines for years, then sink into drivel before being retooled into the even worse Mutant X.
• Shortly therafter, a character was introduced actually called the X-Cutioner (a name so ridiculous, you'd think they went back in time to the Silver Age to make it) that had absolutely nothing to do with this story. Later readers would be confused by the two.
• Apocalypse had yet another death scene, this time in front of Archangel. That would have meant something had he not been revived when someone else needed a benevolent villain to stand around and holler nonsense.
• The story's epilogue released the Legacy Virus, which was a really big deal at first with characters worrying about the quickly-spreading disease infecting "hundreds" of mutants, and killing off big names like Magik, Mastermind and...uh...Revanche. Eventually, the Legacy Virus hit the background when (I suppose) creators didn't want to kill off major characters for the hell of it and the "hundreds" turned out to mostly be Genoshan mutates. No one seemed to notice when Moira MacTaggert and Pyro held on for years with the disease when everyone else died in like five days. Eventually, the virus was done away with at the cost of Colossus.

And thus you have the legacy of the X-Cutioner's Song. If you're aching to dive in, check out the trade. Actually, I managed to find all twelve individual issues for 50 cents each in a bargain bin, some even in the original bag complete with card! How X-Citing!

We've moved past Messiah CompleX and into Divided We Stand - so let's take a look at the X-Books on my plate and see how they're doing.

Uncanny X-Men
Obviously in a phase that you could call "rebuilding" but actually just killing time before July's issue #500. But as far as bridging filler goes, the San Francisco story is very good fun. This apparently will set up the X-Men's new base of operations, so that's neat. The Wolverine/Colossus/Nightcrawler story builds on an oft-forgotten relationship between Storm's team during the Paul Smith/John Romita Jr. era of the 80s, and it's good to see the three working together. With Storm off being married and Kitty Pryde apparently out of the picture, these three are the last of this core group, and they make a good trio. This has been quality stuff.

X-Men: Legacy
I recall a book called Excalibur (vol. 2) that was focused on the relationship between Charles Xavier and Magneto as they tried to rebuild Genosha - and if memory serves correctly, it wasn't very good. Whether or not Mags stays in the book, the first issues of Legacy have been very good, with an interesting look into Xavier's past, and finally fleshing out one of the most overlooked characters in the X-Men, which is even stranger being that he's the CENTER of the whole thing. Those familiar with all these X-Events that are being flashed back to (such as myself) have to be loving this.

Astonishing X-Men
No, I'm just kidding. This book's last Whedon/Cassaday issue hasn't come out yet. That's next month.

X-Factor
Here's a book whose entire premise was torn asunder through House of M and Messiah CompleX. While some titles would flail about desperately seeking direction, that has become the point of X-Factor and its being done very well. You can't help but love all the members of this team, and desperately miss (as they do) Layla Miller. Solicitations say the book's getting Longshot and Darwin on its cast, and I have to say I'm excited.

X-Force
Do I really need to go on another rant about X-Force? It has a cast with claws and knives so they can stab people. Stab, stab, stabby, stabby, stab. Blood, death, good for them. There is apparently a move at bringing back some older baddies (Bastion, Magus) but I have ceased caring. The book's apparently a hit, though. Bah - should have read The Order instead.

Young X-Men
After only one issue, I really want to see where they're going with this one. It's obvious to me that the last-page setup is not what it seems, so we'll just have to see. I'll give an update on this one next week after issue #2 comes out.

So where does that leave us? In pretty good shape, I'd say. Things are looking to get more focused when Uncanny hits 500 and Astonishing launches under Warren Ellis. It's a good time to be an X-Men fan, if you ask me.

(I don't read Cable, New Exiles, or either Wolverine book and the First Class titles don't really fit here, so they've all been skipped.)

Countdown to Messiah Complex

With the X-Men mega event Messiah Complex right around the corner, the ongoing titles are winding down and preparing for action. While things are simmering, it's a good time to look back and see how we got to this point, and where it may be going.

So all through the month of October, from now until the Messiah Complex one-shot hits the shelves on October 31, the Comicdom Wrecks! resident X-Men junkie (me) will be going through all the storylines that have gone on from M-Day to this point in all four of the relevant titles - Uncanny X-Men, X-Men, X-Factor, and New X-Men. We may even add in a relevant storyline or two here and there (Avengers: Disassembled and The Collective).

When Messiah Complex hits the shelves, you'll be up to date on all (relevant) things X, so stay tuned!

Top and Bottom of the Pile 7-11-2007

TOP: X-Factor #21
X-Factor continues to be one of the best books of my 20+ monthly titles, and this issue is a good reason why. Unlike other X-Books that are focused on missions and fights, this title is strictly about the characters, and it's a premise that allows Peter David's talents to shine. This issue sees the still-thick tension between Madrox, Siryn and Monet ever since Madrox accidentally slept with both of them in one night. It also rehashes the long-forgotten relationship between Wolfsbane and Rictor, and sets up a future storyline - looks like someone's pregnant! With three characters (that we know of) eligible for the spot, who's it going to be?

BOTTOM: Ultimate X-Men #84
This is an example of a decent book getting outweighed in an excellent week. Ultimate X-Men wasn't bad, but it just couldn't match up with X-Factor, New Avengers, and JSA. The problem this book has had since Mark Millar left has been a lack of identity. Brian Bendis didn't really get the characters and left a lot of them in the background. Brian Vaughan left as he was hitting his stride on the book. Robert Kirkman has been stepping it up and has even rebuilt the team to get his own direction set in stone. I'm not completely sold on the new lineup (Bishop, Storm, Pyro, Wolverine, Dazzler, Angel, Psylocke), but at least the book is moving away from the generic hole it's been sitting in for years now.