Watchmen Movie Troubles

Here is a good article from the New York times about the legal battle between Fox and Warner Bros. over the rights Watchmen.

From the Box: The X-Cutioner's Song

After great effort (and a lot of help from the Marvel Chronology Project) I put together a reading order of my archive of X-Men back issues and got to reading, starting at the 1991 launch of the second X-Men book (now called X-Men: Legacy). Not too far in, I came upon the 12-part, 4-title crossover, the X-Cutioner's Song. I've had the trade paperback of this for a while, but it always seemed to convoluted to really get into - but as I didn't want to read only half of the story, I dusted it off and got to it.


It was a laborious read, I'll have you know. To get into, you need to have some knowledge about past X-Force/New Mutants history as well as X-Factor knowledge. The basics are thus:

• Stryfe, who leads a bunch of generic villains known as the Mutant Liberation Front, looks exactly like X-Force leader Cable when not wearing his helmet.
• Apocalypse has two (rather redundant) groups of followers: the Four Horsemen and the Dark Riders. Neither should be in action without Apocalypse, who has been MIA since a battle with the original X-Factor.
• Mr. Sinister has a thing for Scott Summers and his juicy DNA (ewwww).
• The New Mutants left the X-Mansion to become X-Force, and none of the X-Teams particularly enjoy that.
• No one has much love for Cable.
• Cyclops was forced to send his son into the future after the baby was infected (by Apocalypse) with the techno-organic virus.

Once you have that down, we can get underway. Apparently, Cable shoots Professor X at a Lila Cheney concert, the Dark Riders (not working for Mr. Sinister instead of Apocalypse) kidnap Cyclops and Jean Grey, who are then traded to Stryfe for Summers DNA, which is a ruse - the container actually unleashes the Legacy Virus. The X-Men and X-Factor go after X-Force to get Cable, jail them, go around fighting for a while, then end up on the moon when Stryfe and Cable duke it out until Cyclops detonates a time portal. Ending comes, la la la. Oh yeah, Stryfe is apparently Cyclops' son who happens to be a little bitter about what happened to him. You can understand that, right?

The story, while about four parts too long, wasn't anything terrible. It got all the teams together, tied up a couple loose plot threads (for a while) and put a lot of focus on Wolverine, Cable and Bishop - the overly popular characters in the huge muscles, huge guns era of the early 90s. Looking back, with over 15 years having passed between then and now, the story doesn't really hold up too well.

• Down the line, someone decided the son should be the good guy, so it was revealed that Cable was actually Cyclops' son, not Stryfe.
• The crossover was a prominent reason that Peter David left X-Factor. The book would continue on with sub-par storylines for years, then sink into drivel before being retooled into the even worse Mutant X.
• Shortly therafter, a character was introduced actually called the X-Cutioner (a name so ridiculous, you'd think they went back in time to the Silver Age to make it) that had absolutely nothing to do with this story. Later readers would be confused by the two.
• Apocalypse had yet another death scene, this time in front of Archangel. That would have meant something had he not been revived when someone else needed a benevolent villain to stand around and holler nonsense.
• The story's epilogue released the Legacy Virus, which was a really big deal at first with characters worrying about the quickly-spreading disease infecting "hundreds" of mutants, and killing off big names like Magik, Mastermind and...uh...Revanche. Eventually, the Legacy Virus hit the background when (I suppose) creators didn't want to kill off major characters for the hell of it and the "hundreds" turned out to mostly be Genoshan mutates. No one seemed to notice when Moira MacTaggert and Pyro held on for years with the disease when everyone else died in like five days. Eventually, the virus was done away with at the cost of Colossus.

And thus you have the legacy of the X-Cutioner's Song. If you're aching to dive in, check out the trade. Actually, I managed to find all twelve individual issues for 50 cents each in a bargain bin, some even in the original bag complete with card! How X-Citing!

Origins can be good

Back in April, .I complained about the solicitation of an X-Men: Origins one-shot starring Colossus. I felt there was simply no reason to expand a character like Colossus' origin to anything that would warrant it's own one-shot. I didn't buy the book, but reviews I read (such as this one from Paul O'Brien's X-Axis) pretty much summed up my thoughts on it: nothing unreadable, but pretty much unnecessary.

However, when I saw a solicitation for another X-Men: Origins book starring Jean Grey, I was more intrigued. Jean Grey was (as she's still dead) a character with a pretty interesting back story before she got to the X-Men. For those of you not in the know, when Jean Grey debuted in X-Men #1 back in 1963, her lone power was telekinesis. Over time, she was given telepathy and a back story was provided to explain why she had not used them the whole time: while still a child, her best friend was hit by a car. Jean telepathically connected with her as she died, which mentally scarred her. Professor X was called in to help heal the damage, and he blocked off her telepathic powers until she was ready for them.

The Origins issue is a retelling of that story with a heavier focus on what Xavier actually did, and it's excellent work. The writing works and the painted art is gorgeous. It shows that you don't have to add new events to an origin for an issue like this. Just expand on what's already been established to allow readers to get a better grip on the character.

There's another one coming out soon for Beast, so let's hope that quality too.

Happy Friday

From Mike Sterling's Progressive Ruin (which you should be reading):

Some people might wonder just how the Dark Knight managed to end up with his upper body in the mouth of a mechanical sea monster whilst wearing a kilt...but I think I'll just go with it without asking questions.

New Comic Day points

This week's titles: X-Factor, X-Force, Mighty Avengers

• I finally have my compromise on X-Force. Take it for exactly what it is and don't worry about the bigger picture and it's actually not that bad.
• Larry Strohman's return on X-Factor after over 15 years since his last run has left me uninspired. Of course, I wasn't huge on him back then either.
• I couldn't tell you which of the Secret Invasion stories happened in Mighty or New Avengers. The books are once again on hold while the big story goes on.
• The majority of the opening arc of X-Force doesn't really need the team in it. Take them out and just toss in someone else hacking off Angel's wings, and you arrive at the same point. Just saying.
• Have to give it to the X-Teams to going back to basics with most of the books. Focus the entire line and reestablish things like "villains" so 3/4 of the titles aren't running around aimlessly.

Fall Out Boy comic looks to be done - thank god

Back in February, a press release came out saying that there would be a comic released based on Fall Out Boy. You know, the band. As if the world needed yet another comic book based on real life people stinking up the new comics rack (remember the old WWF and WCW comics?), it seemed that the Dabel Bros. Publishing was gung-ho about showing the band adventuring their way through comicdom (probably in an emo-tional way).

Leave it to the Simpsons to set things right with the world.

Turns out that the name Fall Out Boy has been owned for some time by those wonderful makers of the Simpsons. It also turns out that they don't think highly of a comic being released with a name they own by another publisher. So when the Simpsons lawyers called, the band backed away from the situation. The publisher is apparently still fighting to get it to go, but no one is really psyched about it anymore. They won't even be able to use the name Fall Out Boy for the cover - much like DC can't use the name Captain Marvel as a comic title (despite it being the name of one of their bigger heroes).

So everyone should be content to let this thing fade quickly and quietly from memory...until the band's drummer Andy Hurley apparently made a douche bag out of himself by giving an interview to Comic Book Resources saying that the project was never approved and sounded lame to him, even though he had apparently been all for it until the Simpsons thing started. So the publisher turns around and gets in a tizzy about that and now it looks like we really won't be getting a Fall Out Boy comic.

Believe me, my heart bleeds.

The Loeb universe

I'm a bit puzzled by the recent works on longtime writer Jeph Loeb. To me, Loeb's name always gave me pleasant memories of his workings with Tim Sale and even his lesser-known, yet still enjoyable run on the post-Age of Apocalypse X-Force. Before his exclusive signing with Marvel, I was enjoying most of his run on Superman/Batman and his credited episodes of the series Heroes on NBC have been fantastic. Good stuff, I would think.

Since his Marvel return, he's been hit-and-miss, with more of an emphasis on miss. I strayed away from Onslaught: Reborn not because of him, but because of Rob Liefeld's art and because it was an anniversary story that should never have been made. I'm sure it was good for what it was...or something like that. My first exposure was his Wolverine storyline "Evolution" which was pretty much abysmal. If you didn't catch it, check out the X-Axis' review of it. While Wolverine isn't one of my pulls, Casey faithfully reads it and shared with me the issues, and I had trouble getting through the whole thing. Blatant contradictions with numerous titles including X-Men and Cable & Deadpool made me shake my head. Never mind the ridiculousness of the whole thing - it was like the editors gave Loeb the go-ahead for anything, then had to go back and correct the details (like showing Feral and Thornn powered when they were victims of M-Day).

Somehow I missed issue #4 of Ultimates 3, but after reading Casey's copy of the issue, I have decided not only to skip the issue, but to drop Ultimates altogether. I have been reading Ultimate Spider-Man and Ultimate X-Men almost since the beginning of their runs. I followed both chapters of Millar and Hitch's Ultimates and am somewhat familiar with Ultimate Fantastic Four. The point here is that I'm quite familiar with the long-building continuity of the Ultimate universe. Loeb, however, has taken that and pretty much thrown it to the wind. It seems like he's decided exactly what he wants to do with which characters and to hell with what's happened before.

Examples of this in just four issues have been the fight with Venom (who has been missing since his debut in Ultimate Spider-Man and is just now returning to the picture), the unexplained arrivals of Black Panther and Valkyrie (who was a non-powered wannabe in Ultimates 2), the blatant romance between Quicksilver and Scarlet Witch, the changing of Captain America to depressive, and the odd characterization of Hawkeye.

To me, the final clincher was the appearance of Pyro in issue #4 as a homicidal member of Magneto's Brotherhood. That characterization showed me that Loeb did not bother to see what Pyro had done in the title before. He just new that he had appeared, so he got his design and put him in the role he wanted. In actuality, when last we saw Pyro, he was a member of the X-Men and quite amazed to be on the team he was! He had secretly infiltrated the Mutant Liberation Front, but was quite on board with the X-Men. How he went from that to murderous psychopath member of the Brotherhood wasn't - and likely won't be - explained. It's Pyro, and Pyro is a villain. So there you go.

The writing in Ultimates 3 seems to be blatantly egotistical, and what kills me is that the editors seem to be turning a complete blind eye to it! As for me, though, I'm tired of questioning why I'm shilling three bucks a month whenever the book comes out for something I'm not enjoying. For the bigger picture, perhaps? Well, that obviously doesn't fit here. Loeb's got his own picture and that's that.

I say enough.

R.I.P. Michael Turner

Michael Turner passed away last night at the age of 37. He had been battling cancer since the year 2000. For details, check out the CBR article. Personally, I always enjoyed his work, interior or covers.